🇩🇪Johann Sebastian Bach : Well-Tempered Clavier I no.24 h-moll BWV 869
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
80.0
超上級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 80.0 for technical difficulty ("Very Advanced") and 4.0 for musicality.Advanced technique and reliable control are required, with a high degree of technical polish needed.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Both advanced technique and expressive ability are required, and technical polish must be balanced with musical shaping at a high level.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Alexander Scriabin
2 Impromptus b-moll Op.12-2
Very Advanced Tec80.0
Mus★ 4.0
Ernst von Dohnányi
3 Singular Pieces Nocturne (The Cat on the Rooftop) Op.44-2
Very Advanced Tec80.0
Mus★ 4.0
Robert Schumann
4 Nachatstücke Markiert und lebhaft (Kuriose Gesellschaft) F-Dur Op.23-2
Very Advanced Tec80.0
Mus★ 4.0
Alexander Scriabin
12 Etudes Fis-moll Op.8-2
Very Advanced Tec80.0
Mus★ 4.0
Karol Maciej Szymanowski
20 Mazurkas Op.50-12
Very Advanced Tec80.0
Mus★ 4.0
Karol Maciej Szymanowski
20 Mazurkas Op.50-20
Very Advanced Tec80.0
Mus★ 4.0
Dmitri Dmitriyevich Shostakovich
24 Preludes and Fugues No.4 in e-moll Op.87-4
Very Advanced Tec80.0
Mus★ 4.0
Dmitri Dmitriyevich Shostakovich
24 Preludes and Fugues No.6 in h-moll Op.87-6
Very Advanced Tec80.0
Mus★ 4.0
Comprising a prelude and fugue, this work brings Book I of The Well-Tempered Clavier to a close. The prelude is marked by a flowing movement of notes, shaping a long-breathed musical line while maintaining the connection between the voices. In the following fugue, the subject is passed from one voice to another, and the interweaving lines gradually create a richly layered sound. In the prelude, performers should keep the direction of the melodic lines and harmonic changes in view; in the fugue, careful attention to the independence of each voice and to the subject’s successive entries is essential.