🇷🇺Alexander Scriabin : 12 Etudes Fis-moll Op.8-2
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
80.0
超上級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 80.0 for technical difficulty ("Very Advanced") and 4.0 for musicality.Advanced technique and reliable control are required, with a high degree of technical polish needed.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Both advanced technique and expressive ability are required, and technical polish must be balanced with musical shaping at a high level.
Play Status
1
Total
Suitability
1
Total
Performance Videos
Pieces at a Similar Difficulty
Alexander Scriabin
2 Impromptus b-moll Op.12-2
Very Advanced Tec80.0
Mus★ 4.0
Ernst von Dohnányi
3 Singular Pieces Nocturne (The Cat on the Rooftop) Op.44-2
Very Advanced Tec80.0
Mus★ 4.0
Robert Schumann
4 Nachatstücke Markiert und lebhaft (Kuriose Gesellschaft) F-Dur Op.23-2
Very Advanced Tec80.0
Mus★ 4.0
Karol Maciej Szymanowski
20 Mazurkas Op.50-12
Very Advanced Tec80.0
Mus★ 4.0
Karol Maciej Szymanowski
20 Mazurkas Op.50-20
Very Advanced Tec80.0
Mus★ 4.0
Dmitri Dmitriyevich Shostakovich
24 Preludes and Fugues No.4 in e-moll Op.87-4
Very Advanced Tec80.0
Mus★ 4.0
Dmitri Dmitriyevich Shostakovich
24 Preludes and Fugues No.6 in h-moll Op.87-6
Very Advanced Tec80.0
Mus★ 4.0
Dmitri Dmitriyevich Shostakovich
24 Preludes and Fugues No.12 in gis-moll Op.87-12
Very Advanced Tec80.0
Mus★ 4.0
This concentrated etude is driven by sharp momentum and sustained tension. Within its forceful motion, passages that alter the mood and briefly relax the tension emerge before the flow accelerates again. It is important to keep the finely articulated right-hand figuration and the left hand’s foundation clear while placing the accents precisely. Rather than pursuing speed alone, listen for the movement of the inner voices and melody, and use the pedal sparingly to avoid blurring the sonority. This brings a clear sense of line to the music’s intensity.