🇺🇦Nikolai Kapustin : Prelude and Fugue No.21 Op.82-21
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
81.0
超上級
Mus
★
★
★
★
★
3.0
Intermediate
About This Piece’s Difficulty
Piabase rates this piece at 81.0 for technical difficulty ("Very Advanced") and 3.0 for musicality.Advanced technique and reliable control are required, with a high degree of technical polish needed.Fundamental musical expression, including dynamics, phrasing, and articulation, becomes an important part of the performance.It is important to handle the advanced technical demands securely while shaping the performance into a natural musical flow.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Ernst von Dohnányi
4 Rhapsodies No.3 in C-Dur Op.11
Very Advanced Tec81.0
Mus★ 3.0
Karol Maciej Szymanowski
20 Mazurkas Op.50-18
Very Advanced Tec81.0
Mus★ 3.0
Franz Joseph Haydn
Double Concerto for Keyboard and Violin in F-Dur Hob.XVIII:6
Very Advanced Tec81.0
Mus★ 3.0
Franz Joseph Haydn
Keyboard Concerto in D-Dur Hob.XVIII:2
Very Advanced Tec81.0
Mus★ 3.0
Olivier Messiaen
Livre d’oiseaux Le Loriot
Very Advanced Tec81.0
Mus★ 3.0
Ludwig van Beethoven
Piano Concerto No.2 B-Dur Op.19
Very Advanced Tec81.0
Mus★ 3.0
Wolfgang Amadeus Mozart
Piano Concerto No.20 in d-moll, K.466
Very Advanced Tec81.0
Mus★ 3.0
Wolfgang Amadeus Mozart
Piano Concerto No.25 in C-Dur, K.503
Very Advanced Tec81.0
Mus★ 3.0
Combining a prelude and a fugue, this work brings together Kapustin’s characteristic jazz-derived rhythmic sense and the intricate handling of multiple voices within a single musical arc. The transition from the prelude’s lively momentum to the fugue, where the voices pass the subject from one to another, is a key point to appreciate. In performance, its buoyant rhythms should not become mechanical; the sonority of the chords and the accents should remain clear. Bringing out the principal line while organizing the inner voices, and maintaining a steady tempo even in rapid passages, allows the music’s intellectual structure and vitality to coexist.