🇺🇦Nikolai Kapustin : Prelude and Fugue No.14 Op.82-14
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
81.0
超上級
Mus
★
★
★
★
★
3.0
Intermediate
About This Piece’s Difficulty
Piabase rates this piece at 81.0 for technical difficulty ("Very Advanced") and 3.0 for musicality.Advanced technique and reliable control are required, with a high degree of technical polish needed.Fundamental musical expression, including dynamics, phrasing, and articulation, becomes an important part of the performance.It is important to handle the advanced technical demands securely while shaping the performance into a natural musical flow.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Ernst von Dohnányi
4 Rhapsodies No.3 in C-Dur Op.11
Very Advanced Tec81.0
Mus★ 3.0
Karol Maciej Szymanowski
20 Mazurkas Op.50-18
Very Advanced Tec81.0
Mus★ 3.0
Franz Joseph Haydn
Double Concerto for Keyboard and Violin in F-Dur Hob.XVIII:6
Very Advanced Tec81.0
Mus★ 3.0
Franz Joseph Haydn
Keyboard Concerto in D-Dur Hob.XVIII:2
Very Advanced Tec81.0
Mus★ 3.0
Olivier Messiaen
Livre d’oiseaux Le Loriot
Very Advanced Tec81.0
Mus★ 3.0
Ludwig van Beethoven
Piano Concerto No.2 B-Dur Op.19
Very Advanced Tec81.0
Mus★ 3.0
Wolfgang Amadeus Mozart
Piano Concerto No.20 in d-moll, K.466
Very Advanced Tec81.0
Mus★ 3.0
Wolfgang Amadeus Mozart
Piano Concerto No.25 in C-Dur, K.503
Very Advanced Tec81.0
Mus★ 3.0
Prelude and Fugue No. 14 combines the intricacy of contrapuntal writing with the dynamic rhythmic energy characteristic of Kapustin. As the music moves from the prelude to the fugue, one of its main attractions is following the exchange of melodic lines and the layering of voices. Grounded in classical writing yet enriched by a jazz-like sense of propulsion and vivid harmonic color, the piece offers both intellectual structure and pianistic brilliance. In performance, keep each voice clear without making the rhythm too rigid, and pay attention to the flow of the phrases and the placement of accents so that the music’s momentum comes across naturally. The contrasting character of the prelude and fugue is also worth listening for.