🇩🇪Paul Hindemith ： Ludus Tonalis Fugue No.1 in C-Dur

Placed at the beginning of Hindemith’s *Ludus Tonalis*, Fugue No. 1 is built around a subject, with several independent voices unfolding to create tightly interwoven contrapuntal motion. Listening for the subject’s entries and returns, as well as its exchanges between voices, makes the overall structure easier to follow. It is important to distinguish each voice clearly while maintaining a natural flow that does not become overly mechanical. Rhythmic values and accents should be kept precise, and the movement of the inner voices should remain audible, while each entrance of the subject is given appropriate prominence. Pedaling should be used sparingly so that the sound does not become blurred; highlighting the transparent overlap of lines and the forward momentum brings out the appeal of the counterpoint.