🇫🇷Gabriel Urbain Fauré : 8 Pieces Fugue in a-moll Op.84-3
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
60.0
上級
Mus
★
★
★
★
★
3.0
Intermediate
About This Piece’s Difficulty
Piabase rates this piece at 60.0 for technical difficulty ("Advanced") and 3.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Fundamental musical expression, including dynamics, phrasing, and articulation, becomes an important part of the performance.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Pyotr Ilyich Tchaikovsky
2 Pieces Russian Scherzo in B-Dur Op.1-1
Advanced Tec60.0
Mus★ 3.0
Sergei Rachmaninov
4 Pieces – Melodie E-Dur
Advanced Tec60.0
Mus★ 3.0
Sergei Rachmaninov
4 Pieces – Romance fis-moll
Advanced Tec60.0
Mus★ 3.0
Pyotr Ilyich Tchaikovsky
6 Morceaux Polka Op.51-2
Advanced Tec60.0
Mus★ 3.0
Pyotr Ilyich Tchaikovsky
6 Pieces on a Single Theme Fugue Op.21-2
Advanced Tec60.0
Mus★ 3.0
Pyotr Ilyich Tchaikovsky
6 Pieces on a Single Theme Funeral March Op.21-4
Advanced Tec60.0
Mus★ 3.0
Pyotr Ilyich Tchaikovsky
6 Pieces on a Single Theme Scherzo Op.21-6
Advanced Tec60.0
Mus★ 3.0
Gabriel Urbain Fauré
8 Pieces Fugue in e-moll Op.84-6
Advanced Tec60.0
Mus★ 3.0
This piece condenses the contrapuntal writing of a fugue for the piano, with independent voices moving and passing the subject from one to another. Listening to the subject as it first appears and then emerges in other voices, as the contrapuntal lines overlap, reveals changes of tension and flow within this short work. Rather than projecting every voice with equal force, the subject should be made clear while the accompanying lines remain light. Avoiding an overly vertical alignment of the sounds and focusing on the direction and breathing of each melody brings out the delicate expression within the work’s poised craftsmanship. Pedal should be used sparingly so that the sound does not become blurred and the transparency of the individual voices is preserved.