🇦🇹Franz Peter Schubert : Impromptus No.3 in Ges-Dur D899 Op.90-3
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
80.0
超上級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 80.0 for technical difficulty ("Very Advanced") and 4.0 for musicality.Advanced technique and reliable control are required, with a high degree of technical polish needed.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Both advanced technique and expressive ability are required, and technical polish must be balanced with musical shaping at a high level.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Alexander Scriabin
2 Impromptus b-moll Op.12-2
Very Advanced Tec80.0
Mus★ 4.0
Ernst von Dohnányi
3 Singular Pieces Nocturne (The Cat on the Rooftop) Op.44-2
Very Advanced Tec80.0
Mus★ 4.0
Robert Schumann
4 Nachatstücke Markiert und lebhaft (Kuriose Gesellschaft) F-Dur Op.23-2
Very Advanced Tec80.0
Mus★ 4.0
Alexander Scriabin
12 Etudes Fis-moll Op.8-2
Very Advanced Tec80.0
Mus★ 4.0
Karol Maciej Szymanowski
20 Mazurkas Op.50-12
Very Advanced Tec80.0
Mus★ 4.0
Karol Maciej Szymanowski
20 Mazurkas Op.50-20
Very Advanced Tec80.0
Mus★ 4.0
Dmitri Dmitriyevich Shostakovich
24 Preludes and Fugues No.4 in e-moll Op.87-4
Very Advanced Tec80.0
Mus★ 4.0
Dmitri Dmitriyevich Shostakovich
24 Preludes and Fugues No.6 in h-moll Op.87-6
Very Advanced Tec80.0
Mus★ 4.0
Above a flowing, finely moving accompaniment, a long-breathed, songlike melody unfolds, highlighting Schubert’s lyrical character. The piece follows a broad ternary design, moving from a tranquil main section to a contrasting middle section of greater tension before the return of the principal theme. The right-hand melody should be shaped naturally, with careful attention to the direction and breathing of each phrase, while the left-hand accompaniment remains even and restrained. Pedaling should follow the harmonic changes without clouding the texture. Careful control of the balance between melody and accompaniment, together with subtle dynamic transitions, brings out the work’s quiet emotion and inward intensity.