🇭🇺Franz Liszt : Andante finale et Marche S.421
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
80.0
超上級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 80.0 for technical difficulty ("Very Advanced") and 4.0 for musicality.Advanced technique and reliable control are required, with a high degree of technical polish needed.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Both advanced technique and expressive ability are required, and technical polish must be balanced with musical shaping at a high level.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Alexander Scriabin
2 Impromptus b-moll Op.12-2
Very Advanced Tec80.0
Mus★ 4.0
Ernst von Dohnányi
3 Singular Pieces Nocturne (The Cat on the Rooftop) Op.44-2
Very Advanced Tec80.0
Mus★ 4.0
Robert Schumann
4 Nachatstücke Markiert und lebhaft (Kuriose Gesellschaft) F-Dur Op.23-2
Very Advanced Tec80.0
Mus★ 4.0
Alexander Scriabin
12 Etudes Fis-moll Op.8-2
Very Advanced Tec80.0
Mus★ 4.0
Karol Maciej Szymanowski
20 Mazurkas Op.50-12
Very Advanced Tec80.0
Mus★ 4.0
Karol Maciej Szymanowski
20 Mazurkas Op.50-20
Very Advanced Tec80.0
Mus★ 4.0
Dmitri Dmitriyevich Shostakovich
24 Preludes and Fugues No.4 in e-moll Op.87-4
Very Advanced Tec80.0
Mus★ 4.0
Dmitri Dmitriyevich Shostakovich
24 Preludes and Fugues No.6 in h-moll Op.87-6
Very Advanced Tec80.0
Mus★ 4.0
This piano arrangement by Liszt is based on Raff’s *Alfred King*, placing a gentle Andante finale in contrast with a powerful march. In the first section, the melody should be allowed to sing while the balance with the accompaniment is carefully controlled, bringing out the nuances of the harmonic changes. In the latter section, maintain a clear pulse and forward momentum while organizing the voices so that the weighty sonority does not become blurred. The contrast between the two sections is central to the work, and the transitions are most effective when the flow remains uninterrupted, combining brilliance with clarity.