🇭🇺Franz Liszt : Variations on a Theme by Bach S.180/R.24
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
85.0
超上級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 85.0 for technical difficulty ("Very Advanced") and 4.0 for musicality.Advanced technique and reliable control are required, with a high degree of technical polish needed.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Both advanced technique and expressive ability are required, and technical polish must be balanced with musical shaping at a high level.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Ernst von Dohnányi
4 Rhapsodies No.2 in fis-moll Op.11
Very Advanced Tec85.0
Mus★ 4.0
Alexander Scriabin
8 Etudes Db-Dur Op.42-1
Very Advanced Tec85.0
Mus★ 4.0
Frederic Chopin
Ballade no.3 As-Dur Op.47
Very Advanced Tec85.0
Mus★ 4.0
Nikolai Kapustin
Concert Etude Reminiscence Op.40-4
Very Advanced Tec85.0
Mus★ 4.0
Johann Sebastian Bach
English Suite no.6 d-moll BWV 811
Very Advanced Tec85.0
Mus★ 4.0
Frederic Chopin
Etude (Trois Nouvelles Etudes) No.1 f-moll
Very Advanced Tec85.0
Mus★ 4.0
Enrique Granados
Goyescas Part 1 Love and Death No.1 Love Words
Very Advanced Tec85.0
Mus★ 4.0
Franz Liszt
Hungarian Rhapsody in a-moll S.244/11
Very Advanced Tec85.0
Mus★ 4.0
Based on a theme derived from Bach, this work for solo piano traces a profound progression of sorrow and tension. The theme and a continuous series of variations unfold without interruption, while chromatic motion, weighty chords, and interwoven voices gradually intensify the music. In each variation, the movement of the inner parts and the flow of the bass support the expression, so it is important not to bring only the melody to the foreground, but to distinguish the role of each voice. In the great climax from the middle toward the end, broaden the sonority without losing the meter, and carefully portray the easing of tension that follows the forte passage. Use the pedal carefully to avoid muddy harmonies, and clarify the contrast between the concentrated tone of the quiet sections and the flow toward the conclusion.