🇷🇺Alexander Scriabin : 8 Etudes Db-Dur Op.42-1
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
85.0
超上級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 85.0 for technical difficulty ("Very Advanced") and 4.0 for musicality.Advanced technique and reliable control are required, with a high degree of technical polish needed.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Both advanced technique and expressive ability are required, and technical polish must be balanced with musical shaping at a high level.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Ernst von Dohnányi
4 Rhapsodies No.2 in fis-moll Op.11
Very Advanced Tec85.0
Mus★ 4.0
Frederic Chopin
Ballade no.3 As-Dur Op.47
Very Advanced Tec85.0
Mus★ 4.0
Nikolai Kapustin
Concert Etude Reminiscence Op.40-4
Very Advanced Tec85.0
Mus★ 4.0
Johann Sebastian Bach
English Suite no.6 d-moll BWV 811
Very Advanced Tec85.0
Mus★ 4.0
Frederic Chopin
Etude (Trois Nouvelles Etudes) No.1 f-moll
Very Advanced Tec85.0
Mus★ 4.0
Enrique Granados
Goyescas Part 1 Love and Death No.1 Love Words
Very Advanced Tec85.0
Mus★ 4.0
Franz Liszt
Hungarian Rhapsody in a-moll S.244/11
Very Advanced Tec85.0
Mus★ 4.0
Franz Liszt
Hungarian Rhapsody in a-moll S.244/16
Very Advanced Tec85.0
Mus★ 4.0
This lyrical étude places a songful melody in the right hand, supported by the delicate motion of the left hand. The music unfolds as a broad, continuous flow, while changes in the passing of the melody and in register bring subtle shifts of expression. A central point of interest is the way the melody emerges above the moving accompaniment, tracing tension and release in response to harmonic changes. In performance, the roles of the two hands should remain clear, with the rapid figures played evenly and without excess force, while the long phrases are shaped naturally toward their climaxes. Pedaling should be used with care, checking the harmonic changes so that the sonority does not become blurred.