🇫🇷Gabriel Urbain Fauré : Valse-Caprice No.2 in Des-Dur Op.38
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
72.0
上級
Mus
★
★
★
★
★
3.0
Intermediate
About This Piece’s Difficulty
Piabase rates this piece at 72.0 for technical difficulty ("Advanced") and 3.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Fundamental musical expression, including dynamics, phrasing, and articulation, becomes an important part of the performance.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Alexander Scriabin
2 Dances “Guirlandes” Op.73-1
Advanced Tec72.0
Mus★ 3.0
Franz Liszt
2 Pieces from “Lohengrin” (Wagner) S.446/R.279 – 3. Lohengrin’s Reproach h-moll
Advanced Tec72.0
Mus★ 3.0
Alexander Scriabin
3 Pieces “Poeme” Op.52-1
Advanced Tec72.0
Mus★ 3.0
Alexander Scriabin
3 Pieces “Poeme languide” Op.52-3
Advanced Tec72.0
Mus★ 3.0
Bartók Béla Viktor János
4 Piano Pieces Fantasy No.1 BB 27
Advanced Tec72.0
Mus★ 3.0
Ignacy Jan Paderewski
6 Concert Humoresques Fantastic Krakowiak Op.14-6
Advanced Tec72.0
Mus★ 3.0
Felix Mendelssohn
7 Character Pieces No.1 in e-moll MWV.U44 Op.7-1
Advanced Tec72.0
Mus★ 3.0
Pyotr Ilyich Tchaikovsky
18 Morceaux Fantastic Scherzo in es-moll Op.72-10
Advanced Tec72.0
Mus★ 3.0
Fauré’s Valse-Caprice No. 2 is a piano piece that builds on a clear waltz pulse while incorporating the capricious flow and brilliant virtuosity characteristic of a caprice. Its lyrical lines change character through delicate ornamentation and shifts in register, creating a contrast between gentler passages and more animated movement. A key point is to connect the sections naturally and preserve the overall flow while allowing the melody to emerge softly above the accompaniment. Rather than forcing the rapid passages, play them lightly by making use of flexibility in the wrists and fingers. Careful pedaling, with changes coordinated to the harmony so that the sound does not become blurred, brings out the music’s elegance and improvisatory spirit.