🇭🇺Franz Liszt : 2 Pieces from “Lohengrin” (Wagner) S.446/R.279 – 3. Lohengrin’s Reproach h-moll
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
72.0
上級
Mus
★
★
★
★
★
3.0
Intermediate
About This Piece’s Difficulty
Piabase rates this piece at 72.0 for technical difficulty ("Advanced") and 3.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Fundamental musical expression, including dynamics, phrasing, and articulation, becomes an important part of the performance.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Alexander Scriabin
2 Dances “Guirlandes” Op.73-1
Advanced Tec72.0
Mus★ 3.0
Alexander Scriabin
3 Pieces “Poeme” Op.52-1
Advanced Tec72.0
Mus★ 3.0
Alexander Scriabin
3 Pieces “Poeme languide” Op.52-3
Advanced Tec72.0
Mus★ 3.0
Bartók Béla Viktor János
4 Piano Pieces Fantasy No.1 BB 27
Advanced Tec72.0
Mus★ 3.0
Ignacy Jan Paderewski
6 Concert Humoresques Fantastic Krakowiak Op.14-6
Advanced Tec72.0
Mus★ 3.0
Felix Mendelssohn
7 Character Pieces No.1 in e-moll MWV.U44 Op.7-1
Advanced Tec72.0
Mus★ 3.0
Pyotr Ilyich Tchaikovsky
18 Morceaux Fantastic Scherzo in es-moll Op.72-10
Advanced Tec72.0
Mus★ 3.0
Karol Maciej Szymanowski
20 Mazurkas Op.50-2
Advanced Tec72.0
Mus★ 3.0
This work is Liszt’s arrangement for solo piano of music from Wagner’s opera associated with Lohengrin’s reproach. Within the dramatic tension and sombre colouring of B minor, the vocal character of the original melody is portrayed through weighty chords and resonant bass lines. The passages in which the melody comes to the fore are especially compelling, calling for natural, speech-like phrasing and a lyrical quality. The music benefits from clearly shaped contrasts while carefully conveying both emotional intensification and quiet afterglow. It is also important to clarify the accompaniment figures and inner voices, maintaining a balance that allows the principal melody to remain prominent.