🇭🇺Franz Liszt : Spirto gentil (Donizetti) S.400a
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
72.0
上級
Mus
★
★
★
★
★
3.0
Intermediate
About This Piece’s Difficulty
Piabase rates this piece at 72.0 for technical difficulty ("Advanced") and 3.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Fundamental musical expression, including dynamics, phrasing, and articulation, becomes an important part of the performance.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Alexander Scriabin
2 Dances “Guirlandes” Op.73-1
Advanced Tec72.0
Mus★ 3.0
Franz Liszt
2 Pieces from “Lohengrin” (Wagner) S.446/R.279 – 3. Lohengrin’s Reproach h-moll
Advanced Tec72.0
Mus★ 3.0
Alexander Scriabin
3 Pieces “Poeme” Op.52-1
Advanced Tec72.0
Mus★ 3.0
Alexander Scriabin
3 Pieces “Poeme languide” Op.52-3
Advanced Tec72.0
Mus★ 3.0
Bartók Béla Viktor János
4 Piano Pieces Fantasy No.1 BB 27
Advanced Tec72.0
Mus★ 3.0
Ignacy Jan Paderewski
6 Concert Humoresques Fantastic Krakowiak Op.14-6
Advanced Tec72.0
Mus★ 3.0
Felix Mendelssohn
7 Character Pieces No.1 in e-moll MWV.U44 Op.7-1
Advanced Tec72.0
Mus★ 3.0
Pyotr Ilyich Tchaikovsky
18 Morceaux Fantastic Scherzo in es-moll Op.72-10
Advanced Tec72.0
Mus★ 3.0
This work is Liszt’s arrangement for solo piano of “Spirto gentil,” an aria from Donizetti’s opera La favorita. Preserving the original melody’s long, singing lines and lyrical character, Liszt adds the harmonic richness and decorative motion of the piano, linking vocal expression with brilliant virtuosity. The piece unfolds around the presentation and development of the melody, with flowing passages and changing sonorities providing its principal points of interest. In performance, the melody should always be brought clearly to the fore, while the balance with the accompaniment is carefully controlled and a singing breath and natural phrasing are maintained. Even in the virtuosic passages, restraint is essential so that the music’s original emotion is not obscured.