Ferruccio Busoni : Sonatina No.5 “In Signo Joannis Sebastiani magni” Kind.280
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
68.0
上級
Mus
★
★
★
★
★
4.0
Advanced
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Anatoly Konstantinovich Lyadov
2 Fugues in D-Dur Op.41-2
Advanced Tec68.0
Mus★ 4.0
Franz Liszt
2 Pieces from “Lohengrin” (Wagner) S.446/R.279 – 2. Elsa’s Dream Es-Dur
Advanced Tec68.0
Mus★ 4.0
George Gershwin
3 Preludes No.3 in Es-Dur for Four-Hands
Advanced Tec68.0
Mus★ 4.0
Nikolai Karlovich Medtner
4 Pieces Moment musical Op.4-3
Advanced Tec68.0
Mus★ 4.0
Ignacy Jan Paderewski
6 Concert Humoresques Scarlatti Caprice Op.14-3
Advanced Tec68.0
Mus★ 4.0
Nikolai Karlovich Medtner
8 Mood Pictures Maestoso freddo Op.1-3
Advanced Tec68.0
Mus★ 4.0
Karol Maciej Szymanowski
9 Preludes in d-moll Op.1-5
Advanced Tec68.0
Mus★ 4.0
Anatoly Konstantinovich Lyadov
12 Canons on a Cantus Firmus
Advanced Tec68.0
Mus★ 4.0
Bearing a title that pays homage to Johann Sebastian Bach, this is a highly concentrated sonatina. The interweaving of voices suggestive of classical counterpoint coexists with Busoni’s characteristically tense harmonic language, creating increasing musical density within a brief span. Listening not only for the principal melody but also for the inner voices and bass reveals the dimensionality produced by the crossing lines. In performance, it is important not to overemphasize the main melody, but to clarify the rhythmic profile of each voice and avoid blurred sonorities. The performer should preserve the forward motion of the tempo and the direction of each phrase while balancing contrapuntal rigor with expressive breathing.