🇮🇹Ferruccio Busoni : Prelude No.17 in As-Dur Op.37-17
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
58.0
中級
Mus
★
★
★
★
★
5.0
Elite
About This Piece’s Difficulty
Piabase rates this piece at 58.0 for technical difficulty ("Intermediate") and 5.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Alongside deep understanding of the work, an exceptionally high level of musical expression is required in tone, phrasing, timing, and structure.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Anatoly Konstantinovich Lyadov
2 Bagatelles Affliction Op.17-1
Intermediate Tec58.0
Mus★ 5.0
Franz Peter Schubert
2 Characteristic Marches No.1 in C-Dur D 968B Op.121
Intermediate Tec58.0
Mus★ 5.0
Anatoly Konstantinovich Lyadov
2 Intermezzi Allegretto Op.8-2
Intermediate Tec58.0
Mus★ 5.0
Anatoly Konstantinovich Lyadov
2 Intermezzi in D-Dur Op.7-1
Intermediate Tec58.0
Mus★ 5.0
Anatoly Konstantinovich Lyadov
2 Intermezzi in F-Dur Op.7-2
Intermediate Tec58.0
Mus★ 5.0
Anatoly Konstantinovich Lyadov
2 Mazurkas in d-moll Op.15-2
Intermediate Tec58.0
Mus★ 5.0
Anatoly Konstantinovich Lyadov
3 Ballet Pieces Op.52-1
Intermediate Tec58.0
Mus★ 5.0
Franz Peter Schubert
3 Heroic Marches No.3 in D-Dur D 602 Op.27-3
Intermediate Tec58.0
Mus★ 5.0
Among Busoni’s 24 Preludes, this piece invites the listener to focus on the shaping of its melody and the movement of its harmony. While the roles of the main line and accompaniment are relatively clearly defined, the music unfolds naturally through the continuity of its phrases. A key point of interest is preserving the overall flow without making the contrasts between sections too pronounced. In performance, the melody should emerge with a soft, singing tone, while the accompaniment remains even and the pedal is used carefully to avoid obscuring the sonority. Attending closely to subtle dynamic changes brings out the expressive character within its poised design.