🇮🇹Ferruccio Busoni : Prelude No.11 in H-Dur Op.37-11
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
60.0
上級
Mus
★
★
★
★
★
5.0
Elite
About This Piece’s Difficulty
Piabase rates this piece at 60.0 for technical difficulty ("Advanced") and 5.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Alongside deep understanding of the work, an exceptionally high level of musical expression is required in tone, phrasing, timing, and structure.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Franz Peter Schubert
2 Characteristic Marches No.2 in C-Dur D 968B Op.121
Advanced Tec60.0
Mus★ 5.0
Ignacy Jan Paderewski
2 Pieces Minuet in g-moll Op.1-2
Advanced Tec60.0
Mus★ 5.0
Ligeti György Sándor
3 Bagatelles for David Tudor
Advanced Tec60.0
Mus★ 5.0
Franz Peter Schubert
3 Heroic Marches No.2 in C-Dur D 602 Op.27-2
Advanced Tec60.0
Mus★ 5.0
Francis Jean Marcel Poulenc
3 Intermezzos No.1 in C-Dur FP.71
Advanced Tec60.0
Mus★ 5.0
Francis Jean Marcel Poulenc
3 Intermezzos No.2 in Des-Dur FP.71
Advanced Tec60.0
Mus★ 5.0
Franz Peter Schubert
3 Marches Militaires No.3 in Es-Dur D 733 Op.51-3
Advanced Tec60.0
Mus★ 5.0
Francis Jean Marcel Poulenc
3 Novelettes No.1 in C-Dur FP.47
Advanced Tec60.0
Mus★ 5.0
No. 11 from Busoni’s 24 Preludes is a piano piece that condenses a singing melody and shifting harmonies into a concise form. The music unfolds around its principal melody, with the exchange between phrases and changes in sonority providing important points of interest. It is best approached as a continuous whole, while carefully bringing out the changing character of each passage. In performance, the melody should emerge clearly from the accompaniment, with the inner voices and chords kept from becoming too heavy. The pedal should support the resonance without clouding the texture; changing it carefully at the ends of phrases and with harmonic shifts helps create a transparent musical effect.