🇦🇹Wolfgang Amadeus Mozart ： Piano Sonata KV 547a Anh.135
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
45.0
中級
Mus
★
★
★
★
★
3.0
Intermediate
About This Piece’s Difficulty
Piabase rates this piece at 45.0 for technical difficulty ("Intermediate") and 3.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Fundamental musical expression, including dynamics, phrasing, and articulation, becomes an important part of the performance.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Johann Sebastian Bach
3 Minuets No.2 in g-moll BWV 842
Intermediate Tec45.0
Mus★ 3.0
Johann Sebastian Bach
5 kleine Praeludien Nr.2 d-moll BWV 940
Intermediate Tec45.0
Mus★ 3.0
Johann Sebastian Bach
5 kleine Praeludien Nr.3 e-moll BWV 941
Intermediate Tec45.0
Mus★ 3.0
Jean Sibelius
5 Pieces (The Flowers) – The Daisy Op.85-1
Intermediate Tec45.0
Mus★ 3.0
Wolfgang Amadeus Mozart
6 German Dances in D-Dur K.509
Intermediate Tec45.0
Mus★ 3.0
Jean Sibelius
8 Pieces – Waltz Moment Op.99-7
Intermediate Tec45.0
Mus★ 3.0
Wolfgang Amadeus Mozart
12 Stücke “Notenbuch für Nannerl” Allegro in C-Dur, K.5a (9a)
Intermediate Tec45.0
Mus★ 3.0
Johann Friedrich Franz Burgmüller
25 Progressive Studies No.23 Retour Op.100-23
Intermediate Tec45.0
Mus★ 3.0
Piano Sonata KV 547a Anh.135 is best appreciated for its Classical clarity of structure and its use of dialogue between the voices. Across its multiple movements, lively passages contrast with more tranquil, song-like sections, while the roles of melody and accompaniment shift subtly. Begin by carefully shaping phrase endings and breaths, listening to each voice separately and maintaining a light touch without making the sound too heavy. Ornamentation and detailed passages should not be rushed; preserving the flow of the meter helps create a poised and natural performance.