🇺🇦Nikolai Kapustin : Piano Concerto No.6 Op.74
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
91.0
最上級
Mus
★
★
★
★
★
2.0
Moderate
About This Piece’s Difficulty
Piabase rates this piece at 91.0 for technical difficulty ("Highest") and 2.0 for musicality.Exceptional technique is required, together with the comprehensive ability to control advanced technical demands consistently.Keeping the basic character of the music in mind helps bring out the work’s features more naturally.The technical demands outweigh the expressive ones, making accuracy, stability, and control of technique particularly important.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Olivier Messiaen
Canteyodjaya
Highest Tec91.0
Mus★ 2.0
Ligeti György Sándor
Etudes Book III No.17 A bout de souffle
Highest Tec91.0
Mus★ 2.0
Nikolai Kapustin
Five Etudes in Different Intervals Allegro: Etude in fourths and fifths Op.68-2
Highest Tec91.0
Mus★ 2.0
Nikolai Kapustin
Five Etudes in Different Intervals Allegro: Etude in minor seconds Op.68-1
Highest Tec91.0
Mus★ 2.0
Nikolai Kapustin
Five Etudes in Different Intervals Vivace: Etude in major seconds Op.68-4
Highest Tec91.0
Mus★ 2.0
Franz Liszt
Grandes études de Paganini “Arpeggio” in E-Dur S.141/4
Highest Tec91.0
Mus★ 2.0
Olivier Messiaen
Livre d’oiseaux La Rousserolle verderolle
Highest Tec91.0
Mus★ 2.0
Nikolai Kapustin
Piano Concerto No.5 Op.72
Highest Tec91.0
Mus★ 2.0
Kapustin’s Piano Concerto No. 6, Op. 74, combines the formal sense of a classical concerto with a jazz-derived rhythmic and harmonic language. The solo piano and orchestra are not confined to fixed roles as protagonist and accompaniment; instead, they move the music forward by passing short motifs and rhythmic ideas between them. The changing character of each section, the driving momentum, and the brilliant passagework are among the work’s highlights, while a light touch of humor can be felt within its tense development. In performance, the fine syncopations and accents must be precisely coordinated without making the music mechanical, allowing for flexible musical breathing. Fast figures should retain clarity and transparency, and careful balance with the orchestra helps bring out both the soloist’s virtuosity and the work’s overall vitality.