🇭🇺Bartók Béla Viktor János : Mikrokosmos Vol.6 No.145 Chromatic Invention No.3 BB 105 Sz 107
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
80.0
超上級
Mus
★
★
★
★
★
2.0
Moderate
About This Piece’s Difficulty
Piabase rates this piece at 80.0 for technical difficulty ("Very Advanced") and 2.0 for musicality.Advanced technique and reliable control are required, with a high degree of technical polish needed.Keeping the basic character of the music in mind helps bring out the work’s features more naturally.The technical demands outweigh the expressive ones, making accuracy, stability, and control of technique particularly important.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Bartók Béla Viktor János
3 Etudes No.2 Andante sostenuto BB 81 Sz 72 Op.18
Very Advanced Tec80.0
Mus★ 2.0
Toru Takemitsu
Closed Eyes II
Very Advanced Tec80.0
Mus★ 2.0
Ligeti György Sándor
Etudes Book II No.11 En Suspens
Very Advanced Tec80.0
Mus★ 2.0
Olivier Messiaen
Preludes – Un reflet dans le vent
Very Advanced Tec80.0
Mus★ 2.0
Sergei Sergeyevich Prokofiev
Sarcasms Precipitosissimo Op.17-5
Very Advanced Tec80.0
Mus★ 2.0
Sergei Sergeyevich Prokofiev
Sarcasms Smanioso Op.17-4
Very Advanced Tec80.0
Mus★ 2.0
Charles Camille Saint-Saëns
Six Etudes Rhythm Study Op.52
Very Advanced Tec80.0
Mus★ 2.0
Charles Camille Saint-Saëns
Six Left Hand Etudes Perpetuum mobile Op.135
Very Advanced Tec80.0
Mus★ 2.0
Built around chromatic movement, this tightly woven contrapuntal miniature unfolds as several voices answer one another. The music advances through the exchange of short motifs, making it important to hear both the independence of each voice and the balance of the whole. Rather than forcing the piece through with speed or strength, performers should clarify the articulation of each line while maintaining a continuous flow. Carefully bringing out the fine chromatic changes, and remaining aware of the direction of each melodic line and the shifting tension, highlights the fascination of its concentrated design. Where the roles of the hands change, the principal voice should be brought appropriately to the foreground, while the inner voices should not become too heavy.