Bartók Béla Viktor János ： Mikrokosmos Vol.3 No.93 Four-Part Writing 2 BB 105 Sz 107

This educational work explores four-part writing, with 4 voices maintaining their independence while forming a cohesive overall sonority. Rather than following only the principal melody, it is important to distinguish each voice’s entrances, exchanges, and vertical interplay. Carefully shaping the phrases of each voice and avoiding uniform dynamics allows the musical flow to emerge clearly. In practice, play each voice separately as if singing it, then combine all 4 voices while aiming for a clear tone and a steady pulse. Use the pedal sparingly, only to support the resonance, so that the independence of the voices and the changes in harmony remain audible.