🇵🇱Frederic Chopin : Marche funèbre c-moll Op.72-2
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
68.0
上級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 68.0 for technical difficulty ("Advanced") and 4.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Anatoly Konstantinovich Lyadov
2 Fugues in D-Dur Op.41-2
Advanced Tec68.0
Mus★ 4.0
Alexander Scriabin
2 Impromptus A-Dur Op.10-2
Advanced Tec68.0
Mus★ 4.0
Alexander Scriabin
2 Impromptus fis-moll Op.14-2
Advanced Tec68.0
Mus★ 4.0
Alexander Scriabin
2 Mazurkas Des-Dur Op.40-1
Advanced Tec68.0
Mus★ 4.0
Alexander Scriabin
2 Mazurkas Fis-Dur Op.40-2
Advanced Tec68.0
Mus★ 4.0
Alexander Scriabin
2 Nocturnes fis-moll Op.5-1
Advanced Tec68.0
Mus★ 4.0
Franz Liszt
2 Pieces from “Lohengrin” (Wagner) S.446/R.279 – 2. Elsa’s Dream Es-Dur
Advanced Tec68.0
Mus★ 4.0
Alexander Scriabin
2 Pieces pour le main gauche “Prelude” cis-moll Op.9-1
Advanced Tec68.0
Mus★ 4.0
This funeral march is marked by the deep shadows of C minor and a weighty rhythm that suggests a quiet, measured procession. At the opening, a concise theme is presented with a clear sense of meter, allowing the melody’s sorrow to emerge above the supporting bass. The following middle section in A-flat major softens the sonority and brings a more lyrical expression to the foreground. The return to the character of the opening creates a ternary design whose contrasts are vivid despite the work’s brevity. In performance, it is important not to hurry the procession and to maintain a balance without making the dotted rhythms too heavy. Let the main melody be clearly heard while restraining the chords and bass; in the middle section, a warm tone and natural breathing help convey both sorrow and nobility.