🇷🇺Alexander Scriabin : Fugue f-moll WoO 13
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
60.0
上級
Mus
★
★
★
★
★
3.0
Intermediate
About This Piece’s Difficulty
Piabase rates this piece at 60.0 for technical difficulty ("Advanced") and 3.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Fundamental musical expression, including dynamics, phrasing, and articulation, becomes an important part of the performance.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Pyotr Ilyich Tchaikovsky
2 Pieces Russian Scherzo in B-Dur Op.1-1
Advanced Tec60.0
Mus★ 3.0
Sergei Rachmaninov
4 Pieces – Melodie E-Dur
Advanced Tec60.0
Mus★ 3.0
Sergei Rachmaninov
4 Pieces – Romance fis-moll
Advanced Tec60.0
Mus★ 3.0
Pyotr Ilyich Tchaikovsky
6 Morceaux Polka Op.51-2
Advanced Tec60.0
Mus★ 3.0
Pyotr Ilyich Tchaikovsky
6 Pieces on a Single Theme Fugue Op.21-2
Advanced Tec60.0
Mus★ 3.0
Pyotr Ilyich Tchaikovsky
6 Pieces on a Single Theme Funeral March Op.21-4
Advanced Tec60.0
Mus★ 3.0
Pyotr Ilyich Tchaikovsky
6 Pieces on a Single Theme Scherzo Op.21-6
Advanced Tec60.0
Mus★ 3.0
Gabriel Urbain Fauré
8 Pieces Fugue in a-moll Op.84-3
Advanced Tec60.0
Mus★ 3.0
The appeal of this work lies in its tightly woven writing, as several voices proceed by passing a single subject from one to another. Each statement of the subject is layered with movement in the other voices, allowing independent lines to come together and shape the musical flow. It is best approached as one larger whole while carefully distinguishing the entrances and responses of each voice. In performance, clear articulation that keeps the subject from being obscured is essential, as is balancing the volume between voices while sustaining the inner parts. Maintaining a sense of direction in the phrases, avoiding excessive heaviness, and naturally conveying changes of tension and release will bring out the interest of the counterpoint.