🇩🇪Johann Sebastian Bach ： Concerto in g-moll BWV 985

This concerto is driven by the dialogue between the solo keyboard and the ensemble, with a clear overall design. In its three movements, the outer movements unfold through the interplay of finely articulated motion and rhythmic momentum, while the central movement offers flowing melodies and a more tranquil character. In the solo part, it is important to keep the notes even and bring out the movement of each voice clearly. Contrasts in dynamics should suggest the exchanges between soloist and ensemble, while ornaments should be connected naturally to the musical flow so that the performance does not become mechanical and the work’s conversational character can emerge.