🇪🇸Enrique Granados ： Album de Melodias Paris 1888 – At the Seashore
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
50.0
中級
Mus
★
★
★
★
★
5.0
Elite
About This Piece’s Difficulty
Piabase rates this piece at 50.0 for technical difficulty ("Intermediate") and 5.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Alongside deep understanding of the work, an exceptionally high level of musical expression is required in tone, phrasing, timing, and structure.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Anatoly Konstantinovich Lyadov
3 Ballet Pieces Op.52-2
Intermediate Tec50.0
Mus★ 5.0
Pyotr Ilyich Tchaikovsky
3 Romances Lullaby in as-moll Op.16-1
Intermediate Tec50.0
Mus★ 5.0
Samuel Barber
3 Sketches To My Steinway
Intermediate Tec50.0
Mus★ 5.0
Franz Peter Schubert
6 Grandes Marches et Trio No.2 in g-moll D 819 Op.40-2
Intermediate Tec50.0
Mus★ 5.0
Pyotr Ilyich Tchaikovsky
6 Pieces Nocturne in cis-moll Op.19-4
Intermediate Tec50.0
Mus★ 5.0
Bartók Béla Viktor János
7 Sketches No.3 Lento BB 54 Sz 44 Op.9b
Intermediate Tec50.0
Mus★ 5.0
Jean Sibelius
13 Pieces – Linnaea Op.76-11
Intermediate Tec50.0
Mus★ 5.0
Enrique Granados
Album de Melodias Paris 1888 – Oriental Songs Slave
Intermediate Tec50.0
Mus★ 5.0
Granados’s “At the Seashore” is a short piece included in Album of Melodies, compiled in Paris in 1888. It evokes a seaside scene through a songful melody and the gently undulating movement of the accompaniment. The piece is best appreciated by following its overall flow while listening closely to the development of the melody and changes in harmony. In performance, keep the right-hand melody soft and sustained, while the left hand remains subdued and supports a wave-like continuity. Pedaling should be refreshed at harmonic changes to avoid clouding the sound, allowing a sense of transparency and natural sway to emerge.