🇺🇸Samuel Barber : 3 Sketches To My Steinway
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
50.0
中級
Mus
★
★
★
★
★
5.0
Elite
About This Piece’s Difficulty
Piabase rates this piece at 50.0 for technical difficulty ("Intermediate") and 5.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Alongside deep understanding of the work, an exceptionally high level of musical expression is required in tone, phrasing, timing, and structure.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Anatoly Konstantinovich Lyadov
3 Ballet Pieces Op.52-2
Intermediate Tec50.0
Mus★ 5.0
Pyotr Ilyich Tchaikovsky
3 Romances Lullaby in as-moll Op.16-1
Intermediate Tec50.0
Mus★ 5.0
Franz Peter Schubert
6 Grandes Marches et Trio No.2 in g-moll D 819 Op.40-2
Intermediate Tec50.0
Mus★ 5.0
Pyotr Ilyich Tchaikovsky
6 Pieces Nocturne in cis-moll Op.19-4
Intermediate Tec50.0
Mus★ 5.0
Bartók Béla Viktor János
7 Sketches No.3 Lento BB 54 Sz 44 Op.9b
Intermediate Tec50.0
Mus★ 5.0
Jean Sibelius
13 Pieces – Linnaea Op.76-11
Intermediate Tec50.0
Mus★ 5.0
Enrique Granados
Album de Melodias Paris 1888 – At the Seashore
Intermediate Tec50.0
Mus★ 5.0
Enrique Granados
Album de Melodias Paris 1888 – Oriental Songs Slave
Intermediate Tec50.0
Mus★ 5.0
This collection consists of three miniatures, each with its own character, yet united by music that makes full use of the piano’s sonority. Alongside lyrical passages, rhythmic motion and harmonic color leave a strong impression, while shifts between tension and release can be felt even within these brief pieces. It is important to bring out the distinct character of each miniature and shape the direction of every phrase with care. At the same time as allowing the melody to sing fully, performers should differentiate the accompaniment figures and inner voices, using the pedal judiciously so that the sonority remains clear and the work’s delicate nuances can emerge.