🇩🇪Johann Friedrich Franz Burgmüller : 18 Characteristic Studies No.5 La source Op.109-5
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
57.0
中級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 57.0 for technical difficulty ("Intermediate") and 4.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Karol Maciej Szymanowski
4 Polish Dances Mazurka
Intermediate Tec57.0
Mus★ 4.0
Jean Sibelius
10 Pieces – Reverie Op.58-1
Intermediate Tec57.0
Mus★ 4.0
Pyotr Ilyich Tchaikovsky
18 Morceaux Village Echoes in Es-Dur Op.72-13
Intermediate Tec57.0
Mus★ 4.0
Dmitri Dmitriyevich Shostakovich
Dances of the Dolls No.5 Hurdy-Gurdy Waltz
Intermediate Tec57.0
Mus★ 4.0
William L. Gillock
Etude in A Major (Coral Sea)
Intermediate Tec57.0
Mus★ 4.0
Jean Sibelius
Pelleas et Melisande Op.46 – At the Castle Gate
Intermediate Tec57.0
Mus★ 4.0
Sergei Rachmaninov
Romance f-moll
Intermediate Tec57.0
Mus★ 4.0
Aram Il’ich Khachaturian
Romance from Masquerade
Intermediate Tec57.0
Mus★ 4.0
This étude evokes the continuously flowing movement of a spring through its delicate, closely connected notes. A light, lively motion supports the piece as a whole, while the flowing progression retains a clear sense of phrasing and melodic expression. Its appeal lies in the transparency created by evenly balanced notes and in the singing quality that emerges within the stream. In performance, the rapid figures should remain even without being rushed, while the peaks of each phrase should be shaped carefully so that the music does not become mechanical. Use the pedal sparingly to avoid clouding the sound, bringing out both the sparkle of the spring and the natural breathing of the phrases.