🇦🇹Franz Peter Schubert : 16 German Dances and 2 Ecossaises | German Dance No.11 in e-moll D783 Op.33
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
52.0
中級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 52.0 for technical difficulty ("Intermediate") and 4.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Alexander Scriabin
3 Pieces “Feuillet d’album” As-Dur Op.45-1
Intermediate Tec52.0
Mus★ 4.0
Dmitri Dmitriyevich Shostakovich
3 Pieces No.3 Intermezzo
Intermediate Tec52.0
Mus★ 4.0
Pyotr Ilyich Tchaikovsky
3 Romances Sing That Song in G-Dur Op.16-4
Intermediate Tec52.0
Mus★ 4.0
Jean Sibelius
4 Lyric Pieces – Pastorale Op.74-1
Intermediate Tec52.0
Mus★ 4.0
Alexander Scriabin
4 Pieces “Prelude” a-moll Op.51-2
Intermediate Tec52.0
Mus★ 4.0
Anatoly Konstantinovich Lyadov
4 Pieces Reminiscence Op.64-4
Intermediate Tec52.0
Mus★ 4.0
Jean Sibelius
5 Characteristic Impressions – The Oarsman Op.103-3
Intermediate Tec52.0
Mus★ 4.0
Jean Sibelius
5 Romantic Pieces – Romance Op.101-1
Intermediate Tec52.0
Mus★ 4.0
Included in Schubert’s collection of dances, this piece displays a light dance character through its clear rhythmic flow and concise melody. Listening for the repetition and exchange of short phrases brings out the changes of expression created from limited material. In performance, it is important to keep the meter steady while allowing the melody to sing naturally rather than becoming mechanical. Keep the accompaniment subdued to support the flow, and allow a slight breath at the ends of phrases. By avoiding exaggerated dynamics and carefully shaping subtle nuances, the piece’s concise structure and refined sense of movement can be brought to life.