🇷🇺Alexander Scriabin ： 4 Pieces “Prelude” a-moll Op.51-2

Within its brief span, this prelude concentrates Scriabin’s characteristic delicacy, lyricism, and inward sense of tension. The singing melody in the right hand is closely interwoven with the harmonic movement that supports it, centered in the left hand, allowing the sonority to shift within a quiet flow. Rather than emphasizing large contrasts, it is important to listen carefully to the breathing of each phrase and the changes in harmony. Let the melody sing fully while keeping the accompaniment light, and manage the pedal at each point of transition so that the sound does not become blurred. This brings out the beauty of the resonance and its subtle shading. A slight flexibility of tempo, rather than a mechanically fixed pulse, also helps create a natural, speech-like character.