🇷🇺Anatoly Konstantinovich Lyadov : 12 Canons on a Cantus Firmus
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
68.0
上級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 68.0 for technical difficulty ("Advanced") and 4.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Anatoly Konstantinovich Lyadov
2 Fugues in D-Dur Op.41-2
Advanced Tec68.0
Mus★ 4.0
Alexander Scriabin
2 Impromptus A-Dur Op.10-2
Advanced Tec68.0
Mus★ 4.0
Alexander Scriabin
2 Impromptus fis-moll Op.14-2
Advanced Tec68.0
Mus★ 4.0
Alexander Scriabin
2 Mazurkas Des-Dur Op.40-1
Advanced Tec68.0
Mus★ 4.0
Alexander Scriabin
2 Mazurkas Fis-Dur Op.40-2
Advanced Tec68.0
Mus★ 4.0
Alexander Scriabin
2 Nocturnes fis-moll Op.5-1
Advanced Tec68.0
Mus★ 4.0
Franz Liszt
2 Pieces from “Lohengrin” (Wagner) S.446/R.279 – 2. Elsa’s Dream Es-Dur
Advanced Tec68.0
Mus★ 4.0
Alexander Scriabin
2 Pieces pour le main gauche “Prelude” cis-moll Op.9-1
Advanced Tec68.0
Mus★ 4.0
Lyadov’s *12 Canons on a Cantus Firmus* is a collection that distills the contrapuntal technique of the canon into 12 miniatures, using a cantus firmus as its foundation while melodic lines are passed from one voice to another in imitation. Since a single piano must bring out several independent voices, listening closely to the relationship between the principal line and its responses, as well as to the inner movement created by overlapping sounds, reveals the precision of the writing. Each piece can be appreciated on its own, while hearing the set in sequence brings out the variety of expression that emerges from the same underlying principle. In performance, it is important to keep the cantus firmus from being obscured and to avoid making the imitative voices sound mechanically uniform. Thoughtful choices of fingering and pedaling can help preserve the individual lines while carefully shaping the quiet tension and continuity of the music.