🇦🇹Wolfgang Amadeus Mozart : Violin Sonata No.19 in Es-Dur K.302
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
55.0
中級
Mus
★
★
★
★
★
5.0
Elite
About This Piece’s Difficulty
Piabase rates this piece at 55.0 for technical difficulty ("Intermediate") and 5.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Alongside deep understanding of the work, an exceptionally high level of musical expression is required in tone, phrasing, timing, and structure.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Anatoly Konstantinovich Lyadov
2 Bagatelles Pastorale Op.17-2
Intermediate Tec55.0
Mus★ 5.0
Anatoly Konstantinovich Lyadov
2 Mazurkas in A-Dur Op.15-1
Intermediate Tec55.0
Mus★ 5.0
Anatoly Konstantinovich Lyadov
2 Pieces Lullaby Op.24-2
Intermediate Tec55.0
Mus★ 5.0
Pyotr Ilyich Tchaikovsky
2 Pieces Nocturne Op.10-1
Intermediate Tec55.0
Mus★ 5.0
Ferruccio Busoni
3 Albumblatter – An Felice Boghen Kind.289
Intermediate Tec55.0
Mus★ 5.0
Anatoly Konstantinovich Lyadov
3 Canons in c-moll Op.34-2
Intermediate Tec55.0
Mus★ 5.0
Anatoly Konstantinovich Lyadov
3 Canons in F-Dur Op.34-3
Intermediate Tec55.0
Mus★ 5.0
Anatoly Konstantinovich Lyadov
3 Pieces Pastorale Op.33-3
Intermediate Tec55.0
Mus★ 5.0
This sonata unfolds through an equal exchange between violin and piano, creating clear contours and light forward momentum. In its two-movement structure, the first movement develops naturally through the presentation and response of its themes, while graceful lyricism emerges amid the delicate motion. In the second-movement rondo, the return of the familiar theme brings changing expressions, where elegance and lightness intersect. The piano should not remain merely in an accompanying role; maintaining a balanced volume and tone with the violin is essential. A clearly articulated touch should define rests and phrase divisions, while ornaments and delicate passages should not be rushed. A sense of conversational breathing brings out the work’s charm.