🇦🇹Franz Peter Schubert : Valses nobles (12 Landler) No.6 in C-Dur D969 Op.77
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
58.0
中級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 58.0 for technical difficulty ("Intermediate") and 4.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Sergei Rachmaninov
2 Pieces No.2 in a-moll Op.2-2
Intermediate Tec58.0
Mus★ 4.0
Anatoly Konstantinovich Lyadov
2 Pieces Waltz Op.9-1
Intermediate Tec58.0
Mus★ 4.0
Franz Peter Schubert
2 Waltzes No.1 in G-Dur D980
Intermediate Tec58.0
Mus★ 4.0
Ludwig van Beethoven
3 Piano Sonatas WoO 47-2 f-moll
Intermediate Tec58.0
Mus★ 4.0
Alexander Scriabin
3 Pieces “Reverie” Op.49-3
Intermediate Tec58.0
Mus★ 4.0
Anatoly Konstantinovich Lyadov
3 Pieces Prelude on a Russian Theme Op.33-1
Intermediate Tec58.0
Mus★ 4.0
Pyotr Ilyich Tchaikovsky
3 Pieces Reverie Op.9-1
Intermediate Tec58.0
Mus★ 4.0
Anatoly Konstantinovich Lyadov
3 Pieces Waltz Op.57-2
Intermediate Tec58.0
Mus★ 4.0
No. 6 from Schubert’s Valses nobles (12 Ländler) is a miniature built on the flowing character of a dance in triple meter, combining an engaging melody with a concise accompaniment. Short phrases are passed from one to the next in a well-balanced manner, while repetition brings the contours of the melody and the rhythmic lift into focus. Its appeal lies in the subtle changes of expression within the light pulse and in the clear sonority created by the relationship between melody and accompaniment. In performance, the left hand should maintain a steady beat while the right hand sings through the melody and preserves the buoyancy of the dance. Avoid pressing too heavily; a slight lingering at the ends of phrases and restrained pedaling that keeps the harmony clear allow its natural simplicity and elegance to emerge.