🇭🇺Bartók Béla Viktor János ： Three Folk Songs from Csik County No.1 Rubato BB 45b Sz 35a
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
54.0
中級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 54.0 for technical difficulty ("Intermediate") and 4.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Alexander Scriabin
3 Preludes B-Dur Op.35-2
Intermediate Tec54.0
Mus★ 4.0
Pyotr Ilyich Tchaikovsky
3 Romances What Does It Matter in fis-moll Op.16-5
Intermediate Tec54.0
Mus★ 4.0
Alexander Scriabin
4 Preludes As-Dur Op.39-4
Intermediate Tec54.0
Mus★ 4.0
Alexander Scriabin
4 Preludes b-moll Op.37-1
Intermediate Tec54.0
Mus★ 4.0
Alexander Scriabin
4 Preludes D-Dur Op.39-2
Intermediate Tec54.0
Mus★ 4.0
Alexander Scriabin
4 Preludes E-Dur Op.33-1
Intermediate Tec54.0
Mus★ 4.0
Alexander Scriabin
4 Preludes gis-moll Op.22-1
Intermediate Tec54.0
Mus★ 4.0
Alexander Scriabin
4 Preludes H-Dur Op.22-3
Intermediate Tec54.0
Mus★ 4.0
The first piece, “Rubato,” comes from Three Folk Songs from Csik County, Bartók’s piano arrangement of folk songs from the Csik County region of Hungary. Rather than maintaining a strictly marked pulse, the performer should allow the tempo to move flexibly with the natural breath of the melody. The music centers on a simple, concentrated singing line, with the pauses between short phrases and the resonance of the notes providing much of its appeal. The right-hand melody should be shaped naturally and vocally, while the left hand remains restrained as an accompaniment, and changes in the sound should not interrupt the flow. Carefully judging the beginning and ending of each phrase, while maintaining a consistent breath within the freedom, brings out the folk-like intimacy of the piece.