🇺🇦Nikolai Kapustin : Three Etudes No.3 Op.67-3
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
90.0
最上級
Mus
★
★
★
★
★
2.0
Moderate
About This Piece’s Difficulty
Piabase rates this piece at 90.0 for technical difficulty ("Highest") and 2.0 for musicality.Exceptional technique is required, together with the comprehensive ability to control advanced technical demands consistently.Keeping the basic character of the music in mind helps bring out the work’s features more naturally.The technical demands outweigh the expressive ones, making accuracy, stability, and control of technique particularly important.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Igor Fyodorovitch Stravinsky
Concerto for Piano and Wind Orchestra
Highest Tec90.0
Mus★ 2.0
Sergei Sergeyevich Prokofiev
Etude No.2 in e-moll Op.2-2
Highest Tec90.0
Mus★ 2.0
Ligeti György Sándor
Etudes Book II No.8 Fem
Highest Tec90.0
Mus★ 2.0
Ligeti György Sándor
Etudes Book I No.4 Fanfares
Highest Tec90.0
Mus★ 2.0
Franz Liszt
Fantastisches Rondo über ein spanisches Thema “El contrabandista” d-moll S.252/R.88
Highest Tec90.0
Mus★ 2.0
Nikolai Kapustin
Five Etudes in Different Intervals Animato: Etude in thirds and sixths Op.68-3
Highest Tec90.0
Mus★ 2.0
Olivier Messiaen
Livre d’oiseaux Le Merle de roche
Highest Tec90.0
Mus★ 2.0
Ligeti György Sándor
Piano Concerto
Highest Tec90.0
Mus★ 2.0
No. 3 from Kapustin’s Three Etudes incorporates jazz idioms into a classical musical language, creating an etude with a keen rhythmic character. Fine passagework and lively rhythms drive the music forward, while the contrast between propulsive sections and moments that invite attention to resonance and breathing provides one of its main attractions. In performance, it is important not only to keep the notes precise, but also to preserve the buoyancy within the meter and connect the musical flow without making the accents too hard. Rather than forcing the faster passages, use the flexibility of the wrists and fingers to carry them lightly, allowing the work’s vivid musical character to emerge. Throughout, maintain the overall tension while listening closely to changes in tone color.