🇪🇸Enrique Granados : Tales of Youth No.5 Coming from the Spring Op.1
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
40.0
中級
Mus
★
★
★
★
★
5.0
Elite
About This Piece’s Difficulty
Piabase rates this piece at 40.0 for technical difficulty ("Intermediate") and 5.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Alongside deep understanding of the work, an exceptionally high level of musical expression is required in tone, phrasing, timing, and structure.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Ferruccio Busoni
3 Albumblatter – An Herrn Albert Biolley Kind.289
Intermediate Tec40.0
Mus★ 5.0
Igor Fyodorovitch Stravinsky
3 Easy Pieces Waltz
Intermediate Tec40.0
Mus★ 5.0
Erik Satie
3 Gymnopédies No.3 in a-moll
Intermediate Tec40.0
Mus★ 5.0
Ottorino Respighi
6 Pieces No.2 Canon
Intermediate Tec40.0
Mus★ 5.0
Erik Satie
12 Petits Chorals
Intermediate Tec40.0
Mus★ 5.0
Edvard Grieg
25 Norwegian Dances and Songs Little Girl Op.17-16
Intermediate Tec40.0
Mus★ 5.0
Edvard Grieg
25 Norwegian Dances and Songs Religious Song Op.17-9
Intermediate Tec40.0
Mus★ 5.0
Enrique Granados
Album de Melodias Paris 1888 – Four Notes
Intermediate Tec40.0
Mus★ 5.0
No. 5, “Coming from the Spring,” from Granados’s *Tales of Youth* is a short character piece that reflects a fresh atmosphere and approachable lyricism within a brief span. A highlight is the way the image of flowing water suggested by the title can be appreciated through natural melodic shaping and the lightness of the accompaniment. Treating the overall flow as a unified whole, while carefully distinguishing the roles of the melody, inner voices, and accompaniment, brings the music’s character into clearer focus. Avoid abrupt dynamic changes, use the pedal carefully so that the resonance does not become blurred, and preserve transparency through delicate shading and a supple touch.