🇮🇹Ferruccio Busoni : Six Etudes Fugue Allegro Giusto Op.16-5
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
84.0
超上級
Mus
★
★
★
★
★
2.0
Moderate
About This Piece’s Difficulty
Piabase rates this piece at 84.0 for technical difficulty ("Very Advanced") and 2.0 for musicality.Advanced technique and reliable control are required, with a high degree of technical polish needed.Keeping the basic character of the music in mind helps bring out the work’s features more naturally.The technical demands outweigh the expressive ones, making accuracy, stability, and control of technique particularly important.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Franz Liszt
2 Pieces from “Lohengrin” and “Tannhäuser” (Wagner) S.445/R.278 – 1. Entry of the Guests at Wartburg Castle Es-Dur
Very Advanced Tec84.0
Mus★ 2.0
Toru Takemitsu
Arc Part II
Very Advanced Tec84.0
Mus★ 2.0
Ligeti György Sándor
Capriccio No.1 Allegro Capriccioso
Very Advanced Tec84.0
Mus★ 2.0
Olivier Messiaen
Livre d’oiseaux La Buse variable
Very Advanced Tec84.0
Mus★ 2.0
Igor Fyodorovitch Stravinsky
Petrushka Four Hands Scene 1 Shrovetide Fair
Very Advanced Tec84.0
Mus★ 2.0
Felix Mendelssohn
Scherzo a capriccio in fis-moll MWV.U113
Very Advanced Tec84.0
Mus★ 2.0
Charles Camille Saint-Saëns
Six Etudes Prelude and Fugue Op.111
Very Advanced Tec84.0
Mus★ 2.0
Sergei Sergeyevich Prokofiev
Two Concert Pieces from The Love for Three Oranges Scherzo Allegretto in c-moll
Very Advanced Tec84.0
Mus★ 2.0
The fifth piece from Busoni’s Six Etudes treats fugal writing as a technical study while offering a substantial musical development. Within the tempo marking Allegro giusto, the subject is passed between voices and the overlapping lines gradually become closely interwoven. In performance, it is important to present the subject clearly while maintaining a balance that keeps the inner voices from being obscured. Preserving a steady rhythmic flow, differentiating the articulation of each voice, and using the pedal with care to avoid blurred sonorities help bring out both the contrapuntal structure and the work’s forward momentum.