🇭🇺Franz Liszt : Prelude on “Weinen Klagen Sorgen Zagen” S.179/R.23
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
78.0
上級
Mus
★
★
★
★
★
5.0
Elite
About This Piece’s Difficulty
Piabase rates this piece at 78.0 for technical difficulty ("Advanced") and 5.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Alongside deep understanding of the work, an exceptionally high level of musical expression is required in tone, phrasing, timing, and structure.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Nikolai Karlovich Medtner
3 Dithyrambs No.1 in D-Dur Op.10-1
Advanced Tec78.0
Mus★ 5.0
Nikolai Karlovich Medtner
3 Tales No.3 in E-Dur Op.17-3
Advanced Tec78.0
Mus★ 5.0
Alexander Scriabin
5 Preludes “Allegro drammatico” Op.74-3
Advanced Tec78.0
Mus★ 5.0
Alexander Scriabin
5 Preludes “Douloureux, dechirant” Op.74-1
Advanced Tec78.0
Mus★ 5.0
Franz Liszt
Années de pèlerinage deuxième année “Italie” Il penseroso in cis-moll S.161/R.10-2
Advanced Tec78.0
Mus★ 5.0
Franz Liszt
Années de pèlerinage deuxième année “Italie” Sonetto 123 del Petrarca in As-Dur S.161/R.10-6
Advanced Tec78.0
Mus★ 5.0
Franz Liszt
Années de pèlerinage première année “Suisse” Le mal du pays in e-moll S.160/R.10-8
Advanced Tec78.0
Mus★ 5.0
Franz Liszt
Années de pèlerinage troisième année Aux cyprès de la Villa d’Este II S.163/R.10
Advanced Tec78.0
Mus★ 5.0
Built around a chromatic descent in the bass, the piece is permeated by sonorities suggestive of profound lament. From the heavy tread of the opening, the music gradually intensifies, with the voices overlapping as it moves toward a great climax. Near the end, a chorale-like breadth emerges, bringing the work to a prayerful sense of repose. In performance, it is important to project the bass progression clearly while keeping the inner voices audible. The pedal should support the resonance without allowing it to become muddy, and the long dynamic arc and the release after the climax should be shaped with care.