🇺🇦Nikolai Kapustin : Prelude No.9 in E-Dur Op.53-9
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
88.0
超上級
Mus
★
★
★
★
★
3.0
Intermediate
About This Piece’s Difficulty
Piabase rates this piece at 88.0 for technical difficulty ("Very Advanced") and 3.0 for musicality.Advanced technique and reliable control are required, with a high degree of technical polish needed.Fundamental musical expression, including dynamics, phrasing, and articulation, becomes an important part of the performance.It is important to handle the advanced technical demands securely while shaping the performance into a natural musical flow.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Nikolai Kapustin
6 Pieces for Piano No.1 Allegro moderato Op.133
Very Advanced Tec88.0
Mus★ 3.0
Nikolai Kapustin
6 Pieces for Piano No.4 Larghetto Op.133
Very Advanced Tec88.0
Mus★ 3.0
Nikolai Kapustin
6 Pieces for Piano No.5 Allegro scherzando Op.133
Very Advanced Tec88.0
Mus★ 3.0
Nikolai Kapustin
6 Pieces for Piano No.6 Allegro non troppo Op.133
Very Advanced Tec88.0
Mus★ 3.0
Karol Maciej Szymanowski
12 Etudes Op.33-10
Very Advanced Tec88.0
Mus★ 3.0
Heitor Villa-Lobos
A Prole do Bebe No.3 No.9
Very Advanced Tec88.0
Mus★ 3.0
Nikolai Kapustin
Burlesque Op.97
Very Advanced Tec88.0
Mus★ 3.0
Felix Mendelssohn
Concerto for Two Pianos and Orchestra in As-Dur MWV.O6
Very Advanced Tec88.0
Mus★ 3.0
Kapustin’s Prelude No. 9 from the 24 Preludes is marked by harmonic language reminiscent of jazz and sharply defined rhythms. Within a clear metrical flow, intricate figures unfold, while the passing of phrases and changes of register give the music its forward momentum. Highlights include the colorful harmony that emerges from its light-footed character and the layered sonority created by the interplay of melody and accompaniment. In performance, it is important to maintain rhythmic precision, clarify the role of each voice, and use a clean touch without relying too heavily on the pedal.