🇮🇹Ferruccio Busoni ： Prelude No.24 in d-moll Op.37-24

No. 24 brings the set of 24 pieces to its close. Within its compact span, the melodic line, accompaniment, and bass movement are interwoven, while changes in sonority shape the music’s tension and release. The piece is best heard as a unified whole, with close attention to the shifts in dynamics and register from one passage to the next. In performance, the melody should emerge clearly without allowing the inner voices or accompaniment to become too prominent. Pedaling should support the resonance while avoiding blur, and careful shaping of the phrase direction and momentum toward the close helps clarify the work’s profile.