🇺🇦Nikolai Kapustin : Prelude and Fugue No.9 Op.82-9
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
82.0
超上級
Mus
★
★
★
★
★
3.0
Intermediate
About This Piece’s Difficulty
Piabase rates this piece at 82.0 for technical difficulty ("Very Advanced") and 3.0 for musicality.Advanced technique and reliable control are required, with a high degree of technical polish needed.Fundamental musical expression, including dynamics, phrasing, and articulation, becomes an important part of the performance.It is important to handle the advanced technical demands securely while shaping the performance into a natural musical flow.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Franz Liszt
2 Pieces from “Lohengrin” and “Tannhäuser” (Wagner) S.445/R.278 – 2. Elsa’s Procession to the Cathedral As-Dur
Very Advanced Tec82.0
Mus★ 3.0
Felix Mendelssohn
3 Caprices No.1 in a-moll MWV.U99 Op.33-1
Very Advanced Tec82.0
Mus★ 3.0
Felix Mendelssohn
3 Caprices No.2 in E-Dur MWV.U112 Op.33-2
Very Advanced Tec82.0
Mus★ 3.0
Ernst von Dohnányi
3 Pieces Capriccio Op.23-3
Very Advanced Tec82.0
Mus★ 3.0
Karol Maciej Szymanowski
12 Etudes Op.33-6
Very Advanced Tec82.0
Mus★ 3.0
Felix Mendelssohn
Andante cantabile e presto agitato | Presto agitato No.2 in h-moll MWV.U94
Very Advanced Tec82.0
Mus★ 3.0
Heitor Villa-Lobos
A Prole do Bebe No.3 No.6
Very Advanced Tec82.0
Mus★ 3.0
Heitor Villa-Lobos
A Prole do Bebê No.2 Lead Ox
Very Advanced Tec82.0
Mus★ 3.0
No. 9 from Kapustin’s 24 Preludes and Fugues is a short work that shapes the Prelude and Fugue into a unified progression while setting them in contrast. Its refined harmonic language and jazz-inflected rhythmic vitality are closely linked to the tightly constructed contrapuntal writing, creating an intellectual tension beneath its lightness. A key point to listen for is how the Prelude establishes the musical character and momentum, while the Fugue clearly presents the subject’s exchanges and the independence of the individual voices. In performance, the intricate rhythms should be precisely coordinated without becoming mechanical, supported by clear articulation. Bringing out the inner voices and carefully shaping melodic direction and dynamic contrasts will highlight the modern vitality characteristic of Kapustin.