🇦🇹Wolfgang Amadeus Mozart : Piano Trio No.5 in C-Dur K.548
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
72.0
上級
Mus
★
★
★
★
★
5.0
Elite
About This Piece’s Difficulty
Piabase rates this piece at 72.0 for technical difficulty ("Advanced") and 5.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Alongside deep understanding of the work, an exceptionally high level of musical expression is required in tone, phrasing, timing, and structure.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Nikolai Karlovich Medtner
3 Arabesques Tragic Fragment in a-moll Op.7-2
Advanced Tec72.0
Mus★ 5.0
Nikolai Karlovich Medtner
3 Dithyrambs No.3 in E-Dur Op.10-3
Advanced Tec72.0
Mus★ 5.0
Edvard Grieg
4 Pieces Non allegro e molto espressivo Op.1-2
Advanced Tec72.0
Mus★ 5.0
Alexander Scriabin
5 Preludes “Feir,belliqueux” Op.74-5
Advanced Tec72.0
Mus★ 5.0
Ludwig van Beethoven
6 Variations Op.105
Advanced Tec72.0
Mus★ 5.0
Franz Liszt
7 Lieder (Mendelssohn) S.547/R.217 No.5 “Spring Song”
Advanced Tec72.0
Mus★ 5.0
Isaac Albéniz
Cantos de España Prelude Asturias Op.232-1
Advanced Tec72.0
Mus★ 5.0
Ludwig van Beethoven
Cello Sonata No.2 in G-Moll Op.5-2
Advanced Tec72.0
Mus★ 5.0
This work is distinguished by its bright, refined sound, with piano, violin, and cello engaging in an equal musical dialogue. Its three movements comprise a lively first movement, a songful second movement, and a light, energetic finale; throughout, the piano’s brilliant activity and the strings’ melodic lines are passed delicately from one instrument to another. The highlights lie in the intimate chamber-music dialogue and the subtle changes of expression within its brightness. In performance, the piano should not be overly restrained even when taking an accompanying role, while the voices should be carefully balanced with a clear sense of where the melody lies. Crisp articulation suits the lighter passages, while the slow movement calls for breathing phrasing and natural lyricism, with close attention to the blend and balance of all three instruments.