Franz Liszt : Piano Concerto No.2 in A-Dur, S.125/R.456 H5
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
90.0
最上級
Mus
★
★
★
★
★
3.0
Intermediate
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Alexander Scriabin
2 Preludes “Presto” Op.67-2
Highest Tec90.0
Mus★ 3.0
Alexander Scriabin
12 Etudes gis-moll Op.8-9
Highest Tec90.0
Mus★ 3.0
Claude Debussy
12 Etudes No.11 “Pour les arpèges composés” L.136
Highest Tec90.0
Mus★ 3.0
Franz Liszt
Années de pèlerinage première année “Suisse” Orage in c-moll S.160/R.10-5
Highest Tec90.0
Mus★ 3.0
Nikolai Kapustin
Capriccio for Piano Duet Op.146
Highest Tec90.0
Mus★ 3.0
Nikolai Kapustin
Capriccio Op.71
Highest Tec90.0
Mus★ 3.0
Nikolai Kapustin
Concert Etude Finale Op.40-8
Highest Tec90.0
Mus★ 3.0
Nikolai Kapustin
Concerto for Piano Duet in Two Movements Op.30
Highest Tec90.0
Mus★ 3.0
Liszt’s Piano Concerto No. 2 unfolds as one large, continuous span, with the solo piano and orchestra engaging in an ongoing dialogue. Its character shifts from calm, songful passages to sections that highlight brilliant virtuosity and then to more tense, dramatic developments, with contrasting moods organically connected throughout. The piano writing calls for delicate exchanges of melody, clear articulation of figurations, and brilliant passages that make use of a wide register. Key performance considerations include bringing out the contrasts between sections while preserving the sense of the work as a unified whole, as well as carefully coordinating volume and phrasing with the orchestra.