🇩🇪Johann Sebastian Bach : Partita no.4 D-Dur BWV 828
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
82.0
超上級
Mus
★
★
★
★
★
5.0
Elite
About This Piece’s Difficulty
Piabase rates this piece at 82.0 for technical difficulty ("Very Advanced") and 5.0 for musicality.Advanced technique and reliable control are required, with a high degree of technical polish needed.Alongside deep understanding of the work, an exceptionally high level of musical expression is required in tone, phrasing, timing, and structure.Both advanced technique and expressive ability are required, and technical polish must be balanced with musical shaping at a high level.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Nikolai Karlovich Medtner
3 Dithyrambs No.2 in Es-Dur Op.10-2
Very Advanced Tec82.0
Mus★ 5.0
Claude Debussy
12 Etudes No.8 “Pour les agréments” L.136
Very Advanced Tec82.0
Mus★ 5.0
Franz Liszt
12 lieder (Schubert) S.558 – Erlkoenig
Very Advanced Tec82.0
Mus★ 5.0
Robert Schumann
Andante und Variationen in B-Dur Op.46
Very Advanced Tec82.0
Mus★ 5.0
Franz Liszt
Années de pèlerinage première année “Suisse” Les cloches de Genève in H-Dur S.160/R.10-9
Very Advanced Tec82.0
Mus★ 5.0
Franz Liszt
Années de pèlerinage troisième année Les jeux d’eau à la Villa d’Este S.163/R.10
Very Advanced Tec82.0
Mus★ 5.0
Frederic Chopin
Berceuse Des-Dur Op.57
Very Advanced Tec82.0
Mus★ 5.0
Johann Sebastian Bach
Chromatische Fantasie und Fuge d-moll BWV 903
Very Advanced Tec82.0
Mus★ 5.0
Beginning with an Overture and continuing through the Allemande, Courante, Aria, Sarabande, Menuet, and Gigue, this suite unfolds in seven movements. The dotted rhythms and contrapuntal development of the Overture are followed by dance movements shaped by a clear sense of meter and the interplay of voices. In the central Aria and Sarabande, avoid rushing the flow and attend carefully to the breathing of the melody and the changes in harmony. Contrasting the Overture’s weight, the dances’ lightness, and the Finale’s forward momentum helps clarify the overall structure; ornaments should be played with clarity without disturbing the rhythmic flow. In the polyphonic writing, listen to the inner voices as well and carefully balance each part while maintaining clean, articulate fingerwork.