🇷🇺Sergei Sergeyevich Prokofiev : Music for Children Evening Op.65-11
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
46.0
中級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 46.0 for technical difficulty ("Intermediate") and 4.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Alexander Scriabin
2 Preludes B-Dur Op.27-2
Intermediate Tec46.0
Mus★ 4.0
Georg Friedrich Händel
6 Fugen Fugue No.2 in G-Dur HWV 606
Intermediate Tec46.0
Mus★ 4.0
Jean Sibelius
6 Pieces – Sonnet Op.94-3
Intermediate Tec46.0
Mus★ 4.0
Jacques Ibert
6 Pieces Morning on the Water
Intermediate Tec46.0
Mus★ 4.0
Jean Sibelius
8 Pieces – Reminiscence Op.99-3
Intermediate Tec46.0
Mus★ 4.0
Jean Sibelius
13 Pieces – Little Romance Op.76-6
Intermediate Tec46.0
Mus★ 4.0
Bartók Béla Viktor János
14 Bagatelles No.9 Allegretto grazioso BB 50 Sz 38 Op.6
Intermediate Tec46.0
Mus★ 4.0
Edvard Grieg
25 Norwegian Dances and Songs Jolstring Op.17-5
Intermediate Tec46.0
Mus★ 4.0
The eleventh piece in Prokofiev’s Music for Children, “Evening,” is a short lyrical miniature filled with a faint sense of tension within its quiet atmosphere. Rather than pursuing a large-scale development, it shapes an evocative evening mood through changing layers of sound and subtle pauses within limited musical material. The melodic flow should be maintained with care, while attention is given to the balance between voices and the changing density of the sonority. Use the pedal sparingly to avoid blurring, keep the tempo unhurried, and bring out the inward character through finely controlled dynamic nuances.