🇷🇺Alexander Scriabin : 2 Preludes B-Dur Op.27-2
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
46.0
中級
Mus
★
★
★
★
★
4.0
Advanced
About This Piece’s Difficulty
Piabase rates this piece at 46.0 for technical difficulty ("Intermediate") and 4.0 for musicality.In addition to fundamental technique, this piece calls for a wider range of skills, including secure fingering and detailed control.Advanced expressive ability is required to shape tone color, phrasing, and the character of the work with care.Musical shaping matters more than the technical difficulty alone suggests, and expressive refinement after the notes are learned strongly affects the finished result.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Georg Friedrich Händel
6 Fugen Fugue No.2 in G-Dur HWV 606
Intermediate Tec46.0
Mus★ 4.0
Jean Sibelius
6 Pieces – Sonnet Op.94-3
Intermediate Tec46.0
Mus★ 4.0
Jacques Ibert
6 Pieces Morning on the Water
Intermediate Tec46.0
Mus★ 4.0
Jean Sibelius
8 Pieces – Reminiscence Op.99-3
Intermediate Tec46.0
Mus★ 4.0
Jean Sibelius
13 Pieces – Little Romance Op.76-6
Intermediate Tec46.0
Mus★ 4.0
Bartók Béla Viktor János
14 Bagatelles No.9 Allegretto grazioso BB 50 Sz 38 Op.6
Intermediate Tec46.0
Mus★ 4.0
Edvard Grieg
25 Norwegian Dances and Songs Jolstring Op.17-5
Intermediate Tec46.0
Mus★ 4.0
Robert Schumann
Album fur die Jugend Figurierter Choral in A-Dur Op.68-41(42)
Intermediate Tec46.0
Mus★ 4.0
The second piece from Scriabin’s Two Preludes is a lyrical prelude distinguished by its flowing melody and subtle harmonic changes. Within its concise span, the singing principal line contrasts with passages in which the layers of sound seem to expand, leaving a quiet resonance toward the close. In performance, the melody should be brought clearly to the foreground over the inner voices and accompaniment, while the changing harmonies are allowed to speak with care. Use the pedal to support the resonance without clouding it, avoid rushing the tempo, and preserve the breathing of the phrases and gentle dynamic shading to bring out the work’s intimate character.