Bartók Béla Viktor János : Mikrokosmos Vol.5 No.122 Chords Together and Opposed BB 105 Sz 107
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
58.0
中級
Mus
★
★
★
★
★
2.0
Moderate
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Pyotr Ilyich Tchaikovsky
12 Pieces of moderate difficulty Etude in G-Dur Op.40-1
Intermediate Tec58.0
Mus★ 2.0
Dmitri Dmitriyevich Shostakovich
Aphorisms No.4 Elegy Op.13-4
Intermediate Tec58.0
Mus★ 2.0
Dmitri Dmitriyevich Shostakovich
Aphorisms No.5 Funeral March Op.13-5
Intermediate Tec58.0
Mus★ 2.0
Toru Takemitsu
Ardore or The Saint
Intermediate Tec58.0
Mus★ 2.0
Bartók Béla Viktor János
Fifteen Hungarian Peasant Songs No.15 Allegro BB 79 Sz 71
Intermediate Tec58.0
Mus★ 2.0
Muzio Clementi
Gradus ad Parnassum No.27 in fis-moll Op.44-27
Intermediate Tec58.0
Mus★ 2.0
Muzio Clementi
Gradus ad Parnassum No.34 in d-moll Op.44-34
Intermediate Tec58.0
Mus★ 2.0
Muzio Clementi
Gradus ad Parnassum No.43 in d-moll Op.44-43
Intermediate Tec58.0
Mus★ 2.0
This educational piece from Volume 5 of Mikrokosmos focuses closely on the treatment of chords. As its title suggests, it centers on passages in which both hands play chords together and passages in which the hands alternate in passing chords between them, inviting the performer to perceive the contrast between unified sonority and movement. A key point of interest is the clear presentation of the placement and changes of the chords within the musical flow. In performance, each chord should be placed together and accurately, while the distinction between simultaneous and alternating playing is brought out through rhythmic stability. Rather than forcing the volume into uniformity, keep the wrists and arms flexible, and shape the length and weight of the sounds while listening carefully to the resonance.