🇩🇪Paul Hindemith : In einer Nacht No.14 Finale Double Fugue
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
78.0
上級
Mus
★
★
★
★
★
2.0
Moderate
About This Piece’s Difficulty
Piabase rates this piece at 78.0 for technical difficulty ("Advanced") and 2.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.Keeping the basic character of the music in mind helps bring out the work’s features more naturally.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Bartók Béla Viktor János
3 Burlesques III Molto vivo capriccioso BB 55 Sz 47 Op.8c
Advanced Tec78.0
Mus★ 2.0
Dmitri Dmitriyevich Shostakovich
24 Preludes No.5 in D-Dur Op.34-5
Advanced Tec78.0
Mus★ 2.0
Bartók Béla Viktor János
Improvisations on Hungarian Peasant Songs No.8 Allegro BB 83 Sz 74 Op.20
Advanced Tec78.0
Mus★ 2.0
Paul Hindemith
Ludus Tonalis Interlude Moderato
Advanced Tec78.0
Mus★ 2.0
Henri Dutilleux
Resonances
Advanced Tec78.0
Mus★ 2.0
Ferruccio Busoni
Six Etudes Moderato Op.16-3
Advanced Tec78.0
Mus★ 2.0
Charles Camille Saint-Saëns
Six Etudes Prelude Op.52
Advanced Tec78.0
Mus★ 2.0
Charles Camille Saint-Saëns
Six Left Hand Etudes Gigue Op.135
Advanced Tec78.0
Mus★ 2.0
No. 14 from In einer Nacht is a double fugue placed as the finale of the collection. Two subjects overlap while retaining their individual motion, driving the music forward through the independence of the voices and their close dialogue. Highlights include the changing density created by the exchange and combination of the subjects, as well as the work’s overall sense of unity as a finale. In performance, it is important to bring out each vocal line clearly while maintaining the music as a single continuous flow. Listening carefully for each subject’s entrance, avoiding overly uniform accents and rhythms, and carefully controlling dynamics and pedal to prevent the sound from becoming blurred will reveal the contrapuntal structure and forward momentum.