🇭🇺Franz Liszt ： Étude en 48 exercices dans tous les tons majeurs et mineurs Étude in b-moll S.136/R.1-12

This étude features finely detailed motion in both hands, demanding accurate fingering and an even touch. While maintaining the flow of the figures, the performer should shape the dynamics according to the peaks of the phrases and harmonic changes, aiming for a singing line rather than a mechanical delivery. Beyond simply connecting the activity throughout, sensing the breath between sections helps clarify the shifting balance between tension and release. It is helpful to begin slowly by organizing the individual voices and playing with light, clear fingertips, then refine the piece so that the sound remains transparent even as the tempo increases.