🇷🇺Alexander Scriabin ： Deux poemes Allegretto Op.69-1

A brief character piece from Scriabin’s late period, in which fragmentary melodies and delicate harmonic colors emerge from sonorities whose tonal center remains elusive. The music maintains a continuous flow while changing its expression through shifts in register, density, and harmony, making it important to hear its subtle transformations. In performance, the melodic voices should be carefully brought out from the accompaniment, while the pedal connects the sonorities without allowing them to become blurred. Rather than fixing the tempo mechanically, a breathing sense of phrasing can shape the quiet tension and poetic afterglow of the piece.