🇺🇦Nikolai Kapustin : Concerto Rhapsody for Piano and Orchestra Op.25
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
89.0
超上級
Mus
★
★
★
★
★
2.0
Moderate
About This Piece’s Difficulty
Piabase rates this piece at 89.0 for technical difficulty ("Very Advanced") and 2.0 for musicality.Advanced technique and reliable control are required, with a high degree of technical polish needed.Keeping the basic character of the music in mind helps bring out the work’s features more naturally.The technical demands outweigh the expressive ones, making accuracy, stability, and control of technique particularly important.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Sergei Sergeyevich Prokofiev
Etude No.1 in d-moll Op.2-1
Very Advanced Tec89.0
Mus★ 2.0
Ligeti György Sándor
Etudes Book I No.1 Desordre
Very Advanced Tec89.0
Mus★ 2.0
Ligeti György Sándor
Etudes Book I No.6 Automne a Varsovie
Very Advanced Tec89.0
Mus★ 2.0
Dmitri Dmitriyevich Shostakovich
Piano Concerto No.1 in c-moll Op.35
Very Advanced Tec89.0
Mus★ 2.0
Nikolai Kapustin
Piano Concerto No.2 Op.14
Very Advanced Tec89.0
Mus★ 2.0
Henri Dutilleux
Piano Sonata
Very Advanced Tec89.0
Mus★ 2.0
Nikolai Kapustin
Three Etudes No.1 Op.67-1
Very Advanced Tec89.0
Mus★ 2.0
Nikolai Kapustin
Toccatina Op.36
Very Advanced Tec89.0
Mus★ 2.0
Kapustin’s Concerto Rhapsody for Piano and Orchestra Op.25 combines the rhythms and harmonic language of jazz with the concertante writing of classical music. The piano part demands brilliant virtuosity and strong forward momentum, while the exchanges with the orchestra provide one of the work’s central attractions. Within the rhapsodic freedom of its flow, contrasting episodes succeed one another, drawing the ear with a buoyant swing feel and passages of mounting tension. In performance, it is essential to maintain precise control of the intricate rhythms while bringing out clarity of articulation and vitality, and to balance the soloist and accompaniment carefully.