🇯🇵Toru Takemitsu : Closed Eyes In Memory of Shuzo Takiguchi
DifficultyThe base difficulty score is calculated using AI-assisted analysis.
MECHANICS
78.0
上級
Mus
★
★
★
★
★
1.0
Low
About This Piece’s Difficulty
Piabase rates this piece at 78.0 for technical difficulty ("Advanced") and 1.0 for musicality.Secure technique is required, and detailed control and the ability to shape the performance as a whole become important.The expressive demands are relatively gentle, with accurate notes and rhythm forming the main focus.
Play Status
0
Total
Played
0
Practicing
0
Want to Play
0
Suitability
0
Total
Competition
0
Concert
0
Exam
0
Performance Videos
Pieces at a Similar Difficulty
Igor Fyodorovitch Stravinsky
4 Etudes No.3 in D-Dur Op.7-3
Advanced Tec78.0
Mus★ 1.0
Bartók Béla Viktor János
3 Burlesques III Molto vivo capriccioso BB 55 Sz 47 Op.8c
Advanced Tec78.0
Mus★ 2.0
Dmitri Dmitriyevich Shostakovich
24 Preludes No.5 in D-Dur Op.34-5
Advanced Tec78.0
Mus★ 2.0
Bartók Béla Viktor János
Improvisations on Hungarian Peasant Songs No.8 Allegro BB 83 Sz 74 Op.20
Advanced Tec78.0
Mus★ 2.0
Paul Hindemith
In einer Nacht No.14 Finale Double Fugue
Advanced Tec78.0
Mus★ 2.0
Paul Hindemith
Ludus Tonalis Interlude Moderato
Advanced Tec78.0
Mus★ 2.0
Henri Dutilleux
Resonances
Advanced Tec78.0
Mus★ 2.0
Ferruccio Busoni
Six Etudes Moderato Op.16-3
Advanced Tec78.0
Mus★ 2.0
Closed Eyes In Memory of Shuzo Takiguchi is a character piece Toru Takemitsu wrote in remembrance of the poet Shuzo Takiguchi. Its distinctive impression comes from the resonance spreading between sound and silence, the shifting of delicate colors, and the layering of sonorities across different registers. Rather than hurrying through a clearly defined pulse, performers should carefully shape the beginning and fading of each note, connecting the whole piece through a broad, unbroken breath. The pedal should be used with care so that the resonance does not become clouded, while restrained gradations of volume can bring out the depth of the stillness and its delicate tension. Instead of dividing the form too rigidly, sensing the placement of resonance and empty space helps convey the work’s introspective character.